David Ekmekci reflects on photographing Hareniks for the MetArt photo set Wild Side of Pretty and the playful contrast in its title.

Ashly Rabbit and Dakota Doll in You Can Take It for VivThomas, with backstage notes from photographer and director David Ekmekci.

The table in the villa salon was supposed to be part of my idea for photographing Wikki K. By the time we finished, I was beginning to think it deserved a credi

David reflects on camera distance, playful expectations and the title of Julia Morozzi's Bedroom Kisses 1 photo set for MetArtX.

David recalls meeting Toree during their first work week and why filming her playful connection with the camera makes Feeling Comfy special to him.

Mimi is a quiet woman, but the drive to shoot Wild Current was anything but quiet. :) I had a location in mind and wanted to go there with her. It was about an

Melania arrived in a red top and danced before the Bedtime Secrets photo shoot, bringing a playful energy David was happy to follow behind the camera.

A planned three-day shoot with Liana Luck on a tropical island became two weeks together after she asked to stay longer. David reflects on the friendship behind their MetArt photo set.

Sophie Weber brought two things to our shoot: an easygoing attitude and a supply of jokes that made it difficult for me to stay serious behind the camera. I was

The weather brought a heatwave to our villa. Toree seemed to take that as a challenge. That’s the fun fact behind Heatwave: the heat was real, but the title was

David reflects on why Luna Art’s elegance and passion make her one of his favorite models to photograph in this MetArtX photo set.

David remembers his first meeting and photo shoot with Malena Amaro, whose presence made time seem to stop.

Malena Amaro was already running naked on the wild beach before I started recording Wild Little Secret. I had found this wonderful place and was about to begin,

David Ekmekci reflects on watching Monika May bring her skills to Romantic Fever 2, the MetArtX video version of Romantic Fever 1.

David remembers his first photo shoot with Betty Lang, the moments she froze, and how slowing down and sharing a laugh helped them find their rhythm.

Sirena Milano picked a corner of our villa for Shadow Kiss. On one of the hottest days we had to shoot, I might have chosen almost anywhere else. We were lookin

Aria Star made the pool look like it had been built for her. I’m not sure the pool had agreed to this arrangement, but it didn’t get much say once we started fi

Nika Murr’s legs tell the story of our Femjoy shoot. I know a photographer is supposed to have a more complicated explanation than that, but sometimes the camer

A scorching day at a tropical villa, Valery's playful presence, and my attempt to keep my cool behind the camera during Sun & Sass for MetArt.

David reflects on the video version of She Knows 1 and how filming Betty Lang gives the same idea a different rhythm.